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Introducing Rafe Knighton
Location: BlogsJessica Hart - 50 heroes, 50 heroines...50 happy endings!    
Posted by: Jessica Monday, February 18, 2008

It’s been a big day.  I have written all of 27 lines, which means I’ve completed the first page of my next book.  It’s only a rough draft, of course, and written in a mixture of past and present tenses, and I haven’t bothered with much punctuation, so it may not sound like much, but psychologically, getting to the end of that first page marks a huge step.  I now officially have a ‘work in progress’, for a start.  I’ve been messing around for two and a half months now, and the longer I leave it, the harder it is to get going again.   Not that I’ve been hanging around doing nothing – I feel as if I’ve been busy, in fact - but the level of displacement activity (don’t tell me you haven’t noticed how often this blog gets updated now) has been getting out of control. 

Today was the day I got a grip, albeit briefly.  You’ll notice that I am back at the blog rather than completing the second page, for instance.  But I think I’ve reached the point where I’m running out of excuses not to get on with it.  It’s not as if I’ve got any problems with the idea (at least, not yet) and in some ways I’m quite looking forward to the story.  Miranda is a heroine I think I’m going to be able to identify with, and I’ve gone for a good-looking hero this time, so might as well enjoy having him under control!  I don’t usually have a specific image of the hero in mind when I’m writing, but I’ve made an exception in this case.  Here is Rafe Knighton, more usually known as Patrick Dempsey, or indeed as McDreamy from Gray’s Anatomy, in the Versace ads.  I don’t know if we’re allowed to reproduce this picture, but here’s hoping Patrick won’t mind. 

Now there’s an attractive man, and notice that his tie is beautifully done up!  Why wasn’t he handing round canapés at the party last week????

So it’s back to work for me, with the prospect of the next few weeks in close company with Patrick/Rafe as a powerful incentive to sit at my computer and let my fantasies run wild …  I’m guessing I’ll still find time for the odd displacement activity though, so will no doubt be checking back here, and at that perennial favourite, the Where are you? page, where new flags are still lighting up, much to my excitement.  Thanks to again to all those of you who have clicked there, and a special hello to whoever clicked from Ghana a few days ago.  I was born there (in Accra) and would love to go back one day, as I don’t remember it at all.  I must see if I can find a photo for the page.  We’re going to try and add new ones every Wednesday, by the way, and will try and end up with a gallery from round the world.  Do send a photo from where you live if you can – it would be great to have a whole variety of places! 

Have just remembered I promised some feedback on the Pick Your Own Romance survey as well at the end of the first month.  At the moment, the following books are tying as favourites: Woman at Willagong Creek, The Right Kind of Man, Christmas Eve Marriage, Barefoot Bride and Appointment at the Altar, so they’ll definitely go through to the next round.  Moonshadow Man, Kissing Santa, The Convenient Fiancée, Baby at Bushman’s Creek, Fiancé Wanted Fast!, The Billionaire’s Blind Date, Mistletoe Marriage (aarrgh), Business Arrangement Bride and Outback Boss, City Bride also picked up votes, so if your favourite isn’t there, go and vote for it now! 

‘Marriage of convenience’ and ‘friends to lovers’ are easily the favourite hooks so far, and the city is your preferred setting.  It’s an even split between exasperated/irritable and charming/laid back/humorous when it comes to favourite heroes, while a sharp, sassy heroine is currently the runaway favourite.  I can feel a book coming on already …

I’ll be back in a few days, by which time I hope to be able to report that I’ve got past page 2!

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Re: Introducing Rafe Knighton    By Laura Vivanco on Tuesday, February 19, 2008
"Now there’s an attractive man"<br><br>I've noticed quite a lot of authors posting about their sources of inspiration for both heroes and heroines. Usually my idea of attractive/handsome/beautiful is a bit different from that of the author, as it is in this case. It's not a problem for me because <br><br>(a) unless the author, in the novel itself, specifically names the person (usually an actor) on whom the hero or heroine's looks are based, there's going to be room for readers to use their imaginations, so that even if they don't like Named Actor, they can still think of the hero or heroine as attractive.<br><br>(b) I'm not the kind of reader who needs to find the characters personally attractive. As long as the characters love each other and find each other attractive, it doesn't bother me if I'd think they were horribly ugly.<br><br>I have the feeling from reading comments online that I must be in a minority, though, because most readers seem to want to read about handsome heroes. There seems to be a little bit less of a consensus about the heroines, because some people prefer them to be more "relatable." I suspect this sort of aesthetic judgement also affects some people's reaction to the covers of romances.<br><br>And have you got past page 2 yet? Hope so!

Re: Introducing Rafe Knighton    By Nikki on Tuesday, February 19, 2008
I'm with Laura on this one. Knowing who the author used as inspiration for the hero (or the heroine) doesn't work for me! I know they get described in the book but I prefer to make up my own mind what they look like (and probably every hero looks pretty much the same for me!) and am usually far more interested in their character (such as exasperated/irritable) traits than whether they are "tall, dark and handsome". Of course, being tall, dark and handsome helps, but I'm more interested in reading about the accomplished businessman taking on the world being humbled by a crying baby needing a nappy change! That's not to say I'm not interested in knowing who Jessica or any other author is using as hero material. I will admit to the odd crush on Sir Guy of Gisborne (who I know has been the focus of many of book), David Tennant (at least one book that I can think of) and others who have popped up on the Pink Heart Society blog on Mondays. I'll happily stare at the photos being posted, but by the time the book is out, I will have forgotten all about the inspiration and the hero will be the same hero that I always picture. Funny thing about him is that I don't really know what he looks like! I just know he'd do anything for the woman he's about to fall in love with, and that is really all I need to know.

Re: Introducing Rafe Knighton    By Jessica on Tuesday, February 19, 2008
Well, we all have different tastes - witness the way the 'butlers in the buff' left me completely cold. An attractive man is not always a handsome man, and vice versa. A lot of models are handsome but apparently lacking in the humour, intelligence, charm and character that would make them really attractive, and that's because they're supposed to be showing off clothes or whatever rather than themselves. Probably the only reason I think Patrick Dempsey is attractive here is because I've seen him in character on television. And one of the reasons I've chosen him as a model for how Rafe Knighton looks is precisely because the heroine is wary of his looks and the sort of lifestyle he seems to represent. <br><br>But I agree, it's actions rather than looks that make a hero. I certainly hope nobody ever looks at any of my covers and thinks that's what the hero is supposed to look like! The best covers are the ones where you can't really see the hero at all - like the cover of Promoted: to Wife and Mother. I do look and despair sometimes. Barefoot Bride was an exception, but the heroes are usually nothing like the way I'd imagined them. Guy Dangerfield looked about 12 on the cover of Appointment at the Altar, for instance. I've given up filling in artwork forms with descriptions of the hero as they never seem to make the slightest bit of difference.

Re: Introducing Rafe Knighton    By Laura Vivanco on Tuesday, February 19, 2008
"Guy Dangerfield looked about 12 on the cover of Appointment at the Altar, for instance."<br><br>You're right. But at least that means he looks about the same age as the heroine. Maybe M&B are trying to reach a younger demographic? ;-)

Re: Introducing Rafe Knighton    By Jessica on Wednesday, February 20, 2008
I was thinking more about what makes a man attractive ... Of course character is what matters most, but there has to be a physical attraction as well. That's much harder to define, I know, and it's not necessarily anything to do with good looks. Most of my heroes are very ordinary-looking, in fact, but as the heroine falls in love her physical awareness of him grows until she can hardly keep her hands off him. I think that's what happens in real life too, and most of the time it's impossible to explain why one man's jawline, say, can turn you on and another's leave you completely cold. After all, how many times have you looked at another woman's partner and thought ???????, while she was probably thinking exactly the same?

Re: Introducing Rafe Knighton    By Laura Vivanco on Wednesday, February 20, 2008
<i>as the heroine falls in love her physical awareness of him grows until she can hardly keep her hands off him. I think that's what happens in real life too, and most of the time it's impossible to explain why one man's jawline, say, can turn you on and another's leave you completely cold.</i><br><br>Yes, I think there are some people you might admire aesthetically if they were a statue or a painting, but that doesn't necessarily make them attractive to you in real life. And definitely I've found that once I get to know and like someone, and I'm thinking about friends here, not people I'd find physically attractive, I'm more likely to focus on their positive features and start seeing them as pretty/beautiful/good-looking. I think it might be a bit similar once you start to find someone attractive, that there's a positive feedback effect which makes the attraction, and the perception that the person is good-looking, grow.


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