|
|
Location: Blogs Jessica Hart - 50 heroes, 50 heroines...50 happy endings! |
 |
| Posted by: Jessica |
Tuesday, April 08, 2008 |
The beginning of the month means that it’s time for another guest blogger, and I’m really thrilled to welcome the ever-popular Liz Fielding, in whose shadow I have been trailing for many years now. A wonderful writer, Liz was winning a RITA® before I even knew what it meant, and her name was above mine on the silver rose bowl awarded to the winner of the RNA’s Romance Prize each year. And although Liz has very kindly congratulated me on my 50 books below, in fact, she has reached that landmark ahead of me yet again! In spite of all the fuss, mine won’t be out until October, but Liz not only hit the 50 book mark in January, but is now celebrating a double achievement with the publication of her 50th Harlequin Romance,® The Bride’s Baby, this month, – some people always have to go one better!! Here she is to tell you about it herself, and there’s a chance to win a copy of her book with a really interesting competition at the end!
So, many congratulations to you, Liz – shine on, and keep leading the way to the next 50 books!
“Many, many congratulations on your 50th book, Jessica. It’s the most fantastic achievement. I know how much dedication, hard work, how much midnight oil it takes to produce such a body of work. The aching back, the sore eyes, the woolly numbness in the brain as you spend way too many hours at the keyboard when a deadline is looming. The nerve-jangling wait for editorial approval.
Just believe me when I tell you that we, your fans, appreciate the effort, although with awards from both sides of the Atlantic, the RITA® for Christmas Eve Marriage and the Romance Prize for Contracted: Corporate Wife, you already have solid evidence that your writing touches readers in the parts that other books just can’t reach. I can’t wait for book # 51 – make it soon!

Okay, I said that I know how it feels to have written fifty books and that’s because my own fiftieth Harlequin Romance, THE BRIDE’S BABY, the first book in the A Bride for all Seasons quartet, is published this month.
All authors are asked where they get their ideas from. In this instance, I started with a request from my editor for a “spring wedding” book. That’s all. No suggestions as to theme. All that was required was the spring wedding. I actually enjoy that. It sharpens the focus so that you’re not distracted by all those plot ideas lurking idly in the back of the mind – the ones that refuse to show up and put in the work.

Weddings are always fun. It’s every woman’s dream to design a no-expense fantasy for the biggest day of her life, isn’t it? Actually, for Sylvie Smith, the wedding planner at the top of every A-List bride’s wish-list, it’s her worst nightmare.
She’s five months pregnant and everyone wants to know who’s the father of her baby. Bad enough. Then there’s the fact that the location for this fantasy is Longbourne Court, once her ancestral home. But she can’t refuse. Gossip-mag Celebrity are making a huge donation to the Pink Ribbon Club, a charity founded by her late mother, for this feature and even though the noblesse had gone well and truly down the pan, the oblige just refused to quit.
Then, just when she thought it couldn’t get any worse, she discovers that Tom McFarlane, the billionaire tycoon who does not have fatherhood on his agenda, is the new owner of Longbourne Court.
Sylvie turned to find her way blocked by six and half feet of broad-shouldered male and experienced a bewildering sense of déjà vu.
A feeling that this had happened before.
And then she looked up and realized that it was not an illusion. This had happened before except on that occasion the male concerned had been wearing navy pin-stripe instead of grey cashmere.
“Some billionaire…” Laura had said, but hadn’t mentioned a name. And she hadn’t bothered to ask, pretending she didn’t care.
She cared now, because it wasn’t just “some” billionaire who’d bought her family home and was planning to turn it into a conference centre.

It was Tom McFarlane, the man with whom, just for a few moments, she’d totally lost it. Whose baby she was carrying. Who’d grabbed her offer to forget it had ever happened. She’d expected at least an acknowledgement...
‘Tell me, Miss Smith,’ he said, while she was still struggling to get her mouth around a simple “good morning”; using exactly the same sardonic tone with which he’d queried every item on her invoice all those months ago. The same look with which he’d reduced her to a stuttering jangle of unrestrained hormones.
Despite everything, she hadn’t been able to get that voice, the heat of those eyes, his touch, the weight, heat of his body, out of her head for weeks afterwards.
Make that months.
Maybe not at all...
The man she most wanted to see in the entire world. The man she most dreaded seeing because she’d made a promise and she would have to keep it.
‘What?’ she demanded, since they were clearly bypassing the civilities, but then there had never been anything civil between them. Only something raw, almost primitive. ‘What do you want?’
Stupid question…
He didn’t want anything from her.
‘To know what you’re doing here?’ Then, presumably just to ram the point home, because he must surely know that it had once been her home, ‘In my house?’
‘It’s yours?’ she said, managing to feign surprise. ‘I was told some billionaire had bought it but no one thought to mention your name. But then I didn’t ask.’ And because she had nothing to apologise for, she’d not only been invited here, but was taking part in this nonsense at great personal inconvenience and no little expense, she said, ‘If you’ll excuse me, Mr McFarlane?’
She’d been so right to keep it businesslike.
He didn’t move, but continued to regard her with those relentlessly fierce eyes that were apparently hell-bent on scrambling her brains.
The man she dreaded seeing. The man she longed more than anything to see, talk to. If he would just give her a chance, let her show him a scan of the baby they’d made. His daughter. But maybe he understood the risk, the danger of being sucked into a relationship he’d never asked for, never wanted.
She’d given him that get-out-of-jail free card and could not take it back. And since he was studiously avoiding the subject, clearly he had no intention of voluntarily surrendering it.
‘I have a lot to get through today,’ she said, unable to bear it another moment and indicating that she wanted to pass. She'd meant to sound brisk and decisive but the effect was undermined by a slight wobble on the h-h-have.
She might have a lot to get through, but the dress would have to wait until she’d had enough camomile tea to drown the squadron of butterflies that were practicing formation flying just below her midriff.
Except that it wasn’t butterflies, but her baby girl practicing dance steps.
His baby girl...
I have a copy of THE BRIDE’S BABY and a useful little sewing kit (every bride should have one!) to give away. You’ll remember I told you how I love to have something to focus on when I begin to plan a story? For a chance to win, let your mind take wing; tell me what title you’d like to see on one of my books and I’ll write it. I can’t promise to keep the title – Mills & Boon have the final say on that – but I will dedicate it to the winner.
Now back to Jessica...
Thanks, Liz! Email your answers for Liz to me and I'll pass them on.
|
|
| Permalink |
Trackback |
Comments (19)
Add Comment
|
Re: Welcoming Liz Fielding! |
By Jessica on
Tuesday, April 08, 2008 |
| Liz, I loved THE BRIDE'S BABY! What a great book to mark your 50th. Was very interested to see the photos of Sylvie and Tom, especially now I've read the story. Do you always have a very specific image of your hero and heroine before you start writing? I tend not to, I must admit, although I have got a picture of Patrick Dempsey pinned up by my computer as I'm writing this current book. It's not really what Rafe looks like though, more a sense of his style. All the background stuff about the weddings Sylvie organises was great fun, too. Were they all your own ideas (in which case you could clearly take up an alternative career as a wedding planner if you ever wanted to change direction!) or are you someone who researches your books in detail before you start? |
|
|
Re: Welcoming Liz Fielding! |
By Liz on
Tuesday, April 08, 2008 |
| JHi Jessica and thank you! Interesting question. Sometimes I have the picture from the beginning and it does help to focus the mind. Sometimes I just hunt for the right picture for the blog and website so that readers can see what I have in mind. Sadly, I'm not a great researcher. I tend to hit a spot in the book and then go looking. Those fabulous wedding magazines were a huge help for that early scene where they're going through the account. They had stuff I would never have dreamed of! |
|
|
Re: Welcoming Liz Fielding! |
By Nikki on
Tuesday, April 08, 2008 |
| I'll definitely be getting a copy of The Bride's Baby, Liz! Although I might try getting an ebook this time because it might stand a better chance of being read this year! Sadly, I have yet to find time to read your 50th book from January which is gathering dust - in good company with books by Jessica, Olivia Gates and Kelly Hunter which I'm also planning to read "when I have time"... |
|
|
Re: Welcoming Liz Fielding! |
By Liz on
Tuesday, April 08, 2008 |
| Hi Nikki! And welcome to the world of the teetering tbr pile. I must admit I'm fascinated by the eBook thing and the dh, who cannot resist a new piece of kit, is getting geared up to buy. Do you download to your PC? Or have you got one of those neat little hand held thingies? |
|
|
Re: Welcoming Liz Fielding! |
By Nikki on
Tuesday, April 08, 2008 |
| I have a pda which is slightly bigger than a mobile phone so I can download to that, the theory being that I would then find more time to read when I'm on the bus to work or sitting in the sunshine at lunchtime. So far I've downloaded several free ebooks from eharlequin (they gave away a book a day for a week or so at Christmas and another one on Valentine's Day) but I've not remembered to read any of them! I love the idea of buying an ebook reader but I also love having piles of books around me! My dh also likes buying new kit so I pretty much always have the latest whatever, although often I don't know how to use it! |
|
|
Re: Welcoming Liz Fielding! |
By Jessica on
Tuesday, April 08, 2008 |
| I can't get my head around eBooks at all - the whole idea seems so utterly alien that I don't even know how to begin to think about them. But no doubt I will come round in the end. I am always the last person to jump on technological bandwagons. I blame my parents (always convenient) for being (as it seemed) the last people in the world to get a colour television, and programming me with technology resistant genes. It took me years to come round to answer machines, mobile phones, videos, CD players, email, websites ... whereever it's at it, you can be sure I'll be far, far behind!<br><br>I loved the idea of you researching by flicking through wedding mags, Liz! Whenever writing gets too hard (often), we have to remember the upside of being a romantic novelist, and in-depth research at the magazine face surely beats working! <br><br>Now, I've been trying to think of a way of asking this without making you groan, but there's no way round it: where do you get your 50+ ideas from? I'm asking because I do think it's a much more interesting question than it often seems, and one, that we all approach in different ways. I often think mainstream writers have it easy - anyone can think up an idea for a book, but to keep on doing it for ten, twenty, fifty books is a different matter. Do you find that every book is different, or do you tend to start from the same point each time? And have you changed over the years? I know I have. I used to begin with a setting, but now think first about the hooks and work from that. |
|
|
Re: Welcoming Liz Fielding! |
By Liz on
Wednesday, April 09, 2008 |
| Oh, Jessica! I really don't know where the ideas come from. It helps if I have a theme, because then I can just concentrate on the characters and conflict. Newspapers and magazines are great for ideas -- and article on inheritance law sparked A Wife on Paper, for instance. The one thing I can say is definitely not the "same place". When I'm in despair the dh will sit down and start throwing out ideas. After I've said, "But I did that in...' for the tenth time, he gives up. <br><br>I guess I have changed over the years. In the early days my head was full of stories fighting to get out there. It was all new. I have to work much harder to find stimulating ideas these days. Whereas once, when I'd started a book, I didn't look back, these days I find myself losing patience with characters, with the whole idea and starting again. Mostly though, I start with character. Even when I have a setting, without the right character to drive the plot it just doesn't work for me. I'm very keen to write another Old Cottage story, but without a character to drive it, that's all it is. A setting. <br><br>So now it's my turn :) You write wonderful books with older heroes and heroines. Where did that come from? And how do you go about generating new ideas, fresh conflict? |
|
|
Re: Welcoming Liz Fielding! |
By Kate Hardy on
Wednesday, April 09, 2008 |
| Congratulations, Liz! I enjoyed "The Bride's Baby" hugely - and I remember you talking about the shoes at the time you were writing it.<br><br>Can't think of any titles at the moment (I've just delivered a book so I'm in stupor mode today) but I like film titles that have been tweaked just a teensy bit. (You know which book I'm talking about - Gentlemen Prefer Brunettes, which is one of my all-time favourite books.)<br><br>Jessica, re e-books - I can see it for reference books (quick way of finding information) but fiction... Nothing beats the feel of a book. (And actually, nothing beats the feel of a 200-year-old first edition, but that's another story!!) |
|
|
Re: Welcoming Liz Fielding! |
By Jessica on
Wednesday, April 09, 2008 |
| Do you ever have those weeks where you spend your time running frenziedly up and down a row of plates, trying to keep them all spinning at once??? I know women are supposed to be good at multi-tasking, but I've come to the conclusion that I'm just NOT. <br><br>I loved the picture of your poor husband trying to help on ideas front, Liz - that rang very true, albeit minus the husband in my case, obviously! But friends get sick of being asked to come up with suggestions which promptly get knocked back with 'done that ... done that ... nope, done that too ...' There's no doubt it gets harder and harder the more books you write. I've definitely changed the way I write too. When I started, I just sat down and wrote a story, usually set somewhere I'd been, and I didn't think that much about what I was doing. Nowadays I'm much more aware of the need for a convincing emotional conflict between the characters, and if the characters are different, that makes the story different too, even if the situation is pretty much the same. In theory, engaging, realistic characters ought to equal freshness, but if we're being honest here, I think the truth it's impossible to keep one's writing fresh for 50 books. The books I write now are very different from the ones I was writing in the 90s. It's hard to judge your own books, so it's difficult to know if they're better or worse, but I think mine now are much more based on the kind of emotional issues my friends and I face today. That's probably why my heroines have got older as I have, although I'm nervous about getting typecast as The One Who Writes Older Heroines. On my editor's advice, I'm writing younger heroines this year, but they're still not very young. I do think romance depends on the heroine getting over a few emotional hurdles, so she needs to be old enough to have taken a few knocks - like Sylvie, in THE BRIDE'S BABY. She hasn't had an easy time, and that's why we're rooting for her to have a happy ending. One of the things I really liked about your book was the fact that Sylvie had real issues to deal with, especially about the prospect of being a single mother and Tom's relationship with her baby. I spend a lot of time talking through emotional crises with friends, and I often use problems one or other of us is facing as the starting point for a story. For instance, the story I'm writing at the moment began to come together when we were talking about how hard it is to change the way families and friends see us. <br><br>Nice to see you back, Kate! I'm with you on the feel of a book, but can't share your prediliction for old ones, I must say. I've never been someone who likes poking around second-hand bookshops (even before I fretted about royalties!) I just don't like the smell of them. Give me a brand new book that no one else has pawed every time! |
|
|
Re: Welcoming Liz Fielding! |
By Kate Hardy on
Wednesday, April 09, 2008 |
| That's very true about it being harder to keep it fresh, Jessica, the more you write. In some respects I'm lucky, because I write for two very different lines, so I can explore similar conflicts in different settings/with different characters... but then again, I'm so used to keeping the hero and heroine together on the page in a work situation that it's a bit scary trying to get the same intensity without them necessarily sharing a job.<br><br>And you write LOVELY heroines. Women I can relate to. I'm really looking forward to the one you're writing now. It's so true that you have your "position" in a family, even if it doesn't actually fit you. And I think you've just given me a "what if" moment - thank you, I owe you a big glass of wine in September.<br><br>I do know what you mean about pristine hardbacks. I've been known to have a hissy fit if I've been saving one as a treat (that lovely new smell, the crisp feel of the pages) and DH has dared to pinch it and read some of it before I can :o) ... but really, really old paper is special. As are maps. (My hat with the flashing lights that says "nerd" on it is switched on again, isn't it?) I would've loved being married to Matthew Parker (as in Elizabeth I's Archbishop of Canterbury) and helping him ferret out all these rare books and make copies so their contents weren't lost. <br><br>Ha. Can you tell I've just delivered a book? Now... how to persuade my editor to let me do a timeslip Modern Extra... nope, it's not going to work, is it? |
|
|
Re: Welcoming Liz Fielding! |
By Liz on
Thursday, April 10, 2008 |
| It's sort of comforting to know that I'm in such good company in my struggle to find a new way of writing a familiar story. I do love it when a minor character shines off the page and I want to write her story. The problems link back to the earlier book, but there's something more, something to be explored. I've just done that with Miranda from Reunited: Marriage in a Million. It wasn't an easy book to write -- anything but -- and it's probably so different that some readers will reel back in horror, but it was a challenge to bring it off. It's not just keeping the reader interested -- the writer needs to feel totally engaged, too, don't you think.<br><br>I can see why you love old books, Kate, but they make me sneeze! |
|
|
Re: Welcoming Liz Fielding! |
By Jessica on
Thursday, April 10, 2008 |
| I find it hard to imagine anyone reeling back in horror from one of your books, Liz, but it's certainly interesting that you feel it was different. Without giving away any secrets, was this the Orpheus and Eurydice story??? Personally, I feel torn on this one. The truth is that I do get very bored with writing sometimes and a challenge like the one you've mentioned, writing a really different kind of story, would probably be a good thing for me. On the other hand, I hate it I pick up a book by a favourite author and it's not what I'm expecting. And although it sounds right that an author has to feel engaged with a book, in my experience the stories I struggle with most are the ones that get the best reaction from readers. I don't understand it at all! I know one should always do one's best, but I admit that there are times when I think, well, it's good enough. What I really need to do is to tackle a different kind of book altogether, in tandem with romance - we've talked about this before - but there always seems so much else to do ... Talking of which, am just of to spin another plate ... back later!<br> |
|
|
Re: Welcoming Liz Fielding! |
By Dianne on
Thursday, April 10, 2008 |
| It's great to read about where three of my favourite authors get their ideas from! M&B books are always so easy to read that I assumed that the words simply flew from your fingers as you sat at your computers! Congratulations to Jessica and Liz. Here's to many more books! |
|
|
Re: Welcoming Liz Fielding! |
By Jessica on
Thursday, April 10, 2008 |
| Ha! I wish, Dianne!! Very, very occasionally a book will write itself, and it is an absolutely wonderful feeling when that happens, but it's only happened three or four times at most for me (the last time was actually my 50th, Last-Minute Proposal, out this October, which means I'm not due another break for a long time!) and the other 46 have been demonstrations of the old saying that a book is 1% inspiration and 99% perspiration! <br><br>I've been in the Minster archives all day, doing picture research for another project I'm working, and have only just made it back to my computer. I'm juggling far too many projects at the moment - no wonder I'm not getting on with my book! But I HAVE made it to Chapter 2 at last, and now have 15 days left this month to rewrite nine and a half chapters. I am back off to Scotland tomorrow for the weekend (madness, I know), so desperate measures will be called for when I get back. I often play with the idea of getting up at 5.00am and writing before my day usually starts, but I know in my heart it's never going to happen. I'm just not a morning person. What about you, Liz? Do you have a routine when you're writing, or are you like me, succumbing to every distraction that comes along, and inventing those that don't? |
|
|
Re: Welcoming Liz Fielding! |
By lIZ on
Thursday, April 10, 2008 |
| Hi Dianne. Oh, yes, don't I wish, too...<br><br>I used to happen more often than it does now. And like Jessica I'm rewriting chapter two of the wip for about the tenth time (it's a question who dies and when!) and have until the end of the month to finish. It isn't going to happen. I just don't write that fast. More grovelling to the editor coming up.<br><br>Jessica, yes, you're right, Miranda's is the Eurydice book -- most of it takes place in the dark between two people who've never met before. It's pretty intense and they get to know one another very well, very quickly as they make their way back to the light. It'll be interesting to see the comments.<br> |
|
|
Re: Welcoming Liz Fielding! |
By Kate Hardy on
Thursday, April 10, 2008 |
| Hi, Dianne! I have to admit, with a lot of mine I wake up with the first scene and it's kind of like watching a film script. But then I have to rough out the rest of the story - I'm a planner and unless I know exactly what's going to happen I can't sit down and work. (It does change a bit as I go through, but I need that basic roadmap).<br><br>Jessica - good luck with that: nine and a half chapters in 15 days. Ow. I'm not sure if I dare admit how fast I wrote the last book, but it's the reason why I'm a zombie this week (and it was originally meant to be in two months ago - just real life went a bit pearshaped and wiped out all my work time in Jan and part of Feb). My suggestion? Pace yourself and lots of treats - and no cheating, you have to *earn* the treats. <br><br>There was a very good article in the RWA magazine this week about grabbing time back from the Internet. That's my biggie - I mean to be good and then I end up having email conversations, looking up bits for research which end up going off into tangents, and... Cough. I'm a morning person but from next term we have a change of schools and I need to leave the house half an hour earlier - eek - this means I can't do my usual hour before breakfast, unless I get up at stupid o'clock. <br><br>Liz - the Eurydice book sounds fascinating. And frankly I think that you can carry off even a difficult challenge, because the warmth of your characters makes your reader root for them. |
|
|
Re: Welcoming Liz Fielding! |
By Dianne on
Thursday, April 10, 2008 |
| Ladies, it sounds like you are going to be very busy for the rest of the month! And Jessica, I'm really looking forward to Last Minute Proposal now I know it wrote itself! |
|
|
Re: Welcoming Liz Fielding! |
By Jessica on
Friday, April 11, 2008 |
| Yes, I read that article too, Kate, and thought the idea of not checking email before noon was a good one. It's a bit like giving up potatoes or cooked cheese, though. I know it would be good for me, but I just can't bring myself to do it ... I don't actually spend that much time on the internet, and always feel a bit guilty that I don't do more to support other authors on line the way you and Liz do, but I do find even my own website unbelievably time-consuming. It might help if I could ever learn to write brief comments instead of great long rambling ones, but I never seem to have mastered that art. I do check my email obsessively though, and get very miffed when I don't have any messages, checking again two minutes later 'just in case' .... <br><br> I will be taking your advice about pacing and treats, and will try, try, try to say 'no' whenever 'just a quick coffee/drink' is suggested. Nobody ever believes this, but when I first moved to York I was a virtual recluse and very self-disciplined. I used to write lots of books then. Sadly those days are long gone!<br><br>Liz, the more I hear about your Eurydice book, the more intriguing it sounds. One of the hardest things about writing category romance is being ruthless about secondary characters and background detail. Keeping the hero and heroine alone together in the dark is really paring the romance down to its essentials ... I'll be really interested to read it. When is it out? <br><br>Now, it's terribly rude to go away in the middle of one's own party, but I'm just off to Scotland for the weekend (another plate to spin). The blog will stay up, though, so do feel free to keep chatting! Liz, thank you so much for being here this week, especially when you're on such a tight schedule. Good luck with your deadline - I know it's never much help when you're staring desperately at your keyboard, but however doubtful you may feel about it, your readers all know that your stories are ALWAYS worth waiting for! |
|
|
Re: Welcoming Liz Fielding! |
By Liz on
Friday, April 11, 2008 |
| I read that article, too, but somehow that first cup of tea with the emails is just too tempting! I think I lost all discipline when I changed to 24/7. Back in the days when I had to wait until 6pm I got a lot more done!<br><br>I actually met Barbara Samuels in Matera last year, btw. Delightful woman who gave a fabulous talk about "layering in the lusciousness". I'm desperate to read the book she was writing then, working title Cooking for the Dead.<br><br>Wedded in a Whirlwind (sigh) is out in November, Jessica. I had to stop work and write a reader letter for it this afternoon. Have fun in Scotland. |
|
|
|
|
|
|
|
 |
Coming Soon!

|
|
|